The Cartier Name Connotes Luxurious Objects-pigeon blood

Arts-and-Entertainment The Cartier name connotes luxurious objects, but none in particular. Faberg means enameled Easter eggs and Tiffany means wedding presents and engagement rings–maybe art noveau lamps–but Cartier means, well, expensive jewelry in the abstract. The firm has always been a retail business, links of london sale the product of .mercial enterprise rather than aesthetic vision–a glorified jewelry store. Louis-Fran ois Cartier founded the Paris firm in 1847, just in time to help deck the famous beauties of the Second Empire, from the empress to the great cocottes. Branches were soon opened in London and New York by Louis-Fran ois’ sons to serve Victorian magnates on both sides of the Atlantic, and eventually a Cartier grandson married the granddaughter of Worth, the world famous couturier, as if to consolidate the whole international luxury-goods .work. Links of London Bracelet Meanwhile the Cartier firm ranged far, seeking clients in Imperial Russia and among Indian maharajahs, buying enamels from Russia and pearls from India to sell to French clients. For nearly 150 years, the three branches provided jewels to suit the varied tastes of the world’s multimillionaires–without ever imposing a distinct artistic style on any of them. The client was invited to participate in the creation of a given piece; his or her sketches were considered; his or her stones might be used. But to establish a solid worldwide reputation among the aesthetically alert and the crude alike, Cartier employed a single unifying principle: the highest quality of materials and workmanship, and a single standard of elegance. Links of London Bangle Which means that the stuff risked being stuffy, if you can say that about jeweled ornaments. Cartier’s defining epoch was the art deco period, which the firm’s designers seem to have anticipated by two decades and extended through the 1930s. Beginning in 1907, they were already using recognizable art deco forms, but clearly not as signs of revolutionary modernity. The simple shapes and lines were being offered rather as extensions of late 18th century neoclassicism, as new bearers of old values. No wonder they were popular with both nouveaux riches and royalty. C Charm 相关的主题文章: